A dimly lit room with green couch, walls decorated with framed photos, newspaper clippings, and posters, including one that reads 'MY GUNS REINVENTED' and another with 'LOOKS'
Sign reading "Colony Room Club MEMBERS ONLY" with yellow, orange, and purple stars on a green background.

Soho's historic Colony Room Club…

The Colony Room opened in 1948 in Soho, founded by the formidable Muriel Belcher, who created a space unlike any other—a private members’ club where the artistic, the eccentric, and the provocative were not just welcomed, but celebrated. From its earliest days, the decor was already telling: bamboo, dim lighting, a sense of intimacy and edginess that set the tone for decades to come. 

Interior of a bar or cafe with green walls decorated with framed photos and artwork, including black-and-white and colored pictures, a fan, a sign, and a person sitting by a window.

© Amelia Troubridge

Over the years, the Colony Room became a magnet for painters, writers, musicians, and bohemians. Figures such as Francis Bacon and Lucian Freud found not only refuge, but community here. It was a place where the rules of polite society were bent, if not broken: patrons dared to be candid, outrageous, vulnerable. The decor, the regulars, the barstools—all contributed to an atmosphere where art was part lifestyle, part rebellion. 

Through the 1960s, ’70s and ’80s the club’s personality developed under successive proprietors—Muriel Belcher, then Ian Board and later Michael Wojas—each bringing something new. Yet the Colony Room always retained its core: a fiercely private, fiercely creative space, full of rumoured conversations, collaborations, rivalries, and captivation. 

Group of people celebrating at a gathering or party in a cozy, decorated room with artwork, sculptures, and a chandelier.

© Darren Coffield

Group of friends enjoying a lively moment in a bar with framed photos and memorabilia on the wall.

© Pascal Latra

Artistic Hub: From Bacon & Freud to the YBAs

During the 1990s a new wave of artists—the Young British Artists (YBAs)—gravitated toward the Colony Room. Damien Hirst, Sarah Lucas, Tracey Emin and others were drawn in, not only for its history, but for its spirit: permission to experiment, to shock, to be raw. Hirst, for example, contributed a piece—his spot painting—which hung above the bar (wrapped in clingfilm, no less) as an emblem of art becoming part of the everyday fabric of the club.

Why the Colony Room Still Matters

The Colony Room was more than a venue—it was a crucible. It shaped trajectories, fostered candour and risk, and gave artists a place to be themselves, without compromise. The many legends who passed through its doorway—Bacon, Freud, Emin, Hirst—were not just clients or members but active participants in an ongoing performance of modern art in Britain.

Today, the Colony Room’s spirit is alive on Heddon Street. Artist Darren Coffield has curated a space that pays homage to the original club—part bar, part living art installation—where guests can step inside history and raise a glass among the legends. It’s the closest you’ll get to the infamous Soho room: a place that still celebrates creativity, risk-taking and the thrill of artists colliding over a drink.

A sign on a green wall reading 'Colony Room GREEN' with star decorations, and the entrance to a dimly lit room with people inside.

© Darren Coffield

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